Elizabeth Kostina

I'm an undergraduate student based out of Boston, MA, working at the intersection of media, technology, and human rightsRead More ︎

Shortcuts ︎


  • Globus Podcast, podcast on sustainable development efforts in the US, SDSN Youth USA, 2021
  • Window Cabaret, photo essay, 2021
  • Hairlines, installation, PEA, 2020
  • Unity in Color photoshoot, PEA, 2020
  • Public talk: corbusier, computers, and consciousness, Tuned: The City We Have in Mind, 2021.

  • Words︎

  • Rotunno Justman Architects gives urban living in Paris A new view - DesignWanted, 2021.
  • Yanhai Hotel in Xiamen is at one with its inspiration—the sea, DesignWanted, 2021.
  • Interview with Richard Florida: Inclusive Cities Interview Series, UNA-USA, 2021.
  • Medina Apartment, Strelka Mag and Archdaily, 2021.

  • Mark

    Hairlines, 2020

    Hairlines was created as a senior project in high school. It involved a photography exhibit, a short documentary, and archival installation in the Louis Khan library.  

    Artist Statement: It has become easier than ever to present idealized versions of ourselves to the public, but these idealized identities can become spectacles, performances for others as opposed to reflections of our true selves. The pressure to pass for a mainstream identity (e.g. cisgender or heterosexual identity) is significant. People must adhere to certain mannerisms to be validated by the dominant culture, perhaps by speaking, dressing, or behaving so that their difference is downplayed. Throughout these code switches, the body and hair remain relatively permanent. To change your hair is to make a conscious and curated act of presentation. Hairlines aims to harness, explore, and subvert exploitation of a largely existing and visible phenomenon: queerness, an umbrella term for individuals who are not heterosexual or straight. Hairlines focuses on the curation of the external and mental relationship between a person’s hair and their gender and/or sexual identity, providing an alternate and more candid view of queer identities by subverting the idealized selves we see on social media. Without makeup, product, accent, or fancy equipment, subject and photographer work together to present the ideal self: each unfiltered subject as they are.



    Installation photos